Sunday, April 12, 2009
Progress Report on Research Investigation.
EXCEPT.
I have to narrow down my topic so that I can get really deep into it instead of just BSing a whole bunch of shallow stuff... And therefore I'm going to have to do some more extensive research, cause right now I just have background information and basics. I have to find a specific tradition or theory, a specific play, a specific practitioner.
I'm feeling overwhelmed cause I just don't want to do this right now.
And it's thankfully a topic I'm fairly interested in.
But not overly PASSIONATE about it.
So 2000 words is not looking too hot right now.
Ahhh.
Wednesday, April 1, 2009
Research Investigations-- Finding a Question

And THAT is why I'm stressing out. Haha.
Just get the research done.
Just get the research done.
Tuesday, March 24, 2009
Cedar Springs.
I spent two weeks in Cedar Springs over spring break.
I don't want to go into it.
I don't want to explain it.
I don't want to have to tell anyone why.
But from a strictly theatrical point of view, the hospital and Cedar Springs are two of the BEST places to find good characters. I found myself observing most of the time-- observing the little nuances that people do, the little habits they have, the attitudes of certain people.
I don't know why it struck me so much at the hospital... maybe because nobody there has anything to hide, their greatest secret has already been exposed. So they are just themselves. They just act the way they act without worrying about what anyone else is thinking of them. It was a foreign world to me.
I guess what I'm trying to say is.... theater isn't about ACTING.
It's about NOT HIDING.
Showing yourself. Showing your character.
Saturday, March 21, 2009
Stanislavski's Commandments

A penny for the old guy. :)
The trad kids presented these commandments today, and they were surprisingly entertaining. And informative. And (god forbid) interesting. :D
1. Research your character
(motivations, traits, past, more than just the script, look into it)
2. Read thy script every day
(makes ad-libbing easier, always bring pencil)
3. Thou Shalt Warm Up Properly
(includes body AND voice)
4. Thou shalt respect the history of the theater
(rehearsal ettiquette, especially backstage)
5. Thou shalt honor the acting process of the actor
(don't get in the way of other actors)
6. Really LISTEN ON STAGE
(make it a conversation, easier to respond/react)
7. Remember the magic "if"
(have the imagination of a child, ask yourself "if it was real....?")
8. Concentrate within your circle of attention
(be absorbed in your character/scene)
9. Accept criticism with grace
(you can't please everyone, take everything-- good and bad-- with a pinch of salt)
10. Maintain good health
(nutrition and sleep are important for actors too, rigorous job)
Thursday, March 5, 2009
Angles on stage.
And not to sound like a geek here, but once again I thought of performing on stage, and how a flat, 2D performance does not draw the audience in.
ANGLES
give you
DYNAMIC
characters and dialogue and plot and spectacle. :)
And I like that. I like engaging the audience. I like drawing people in.
It's what I'm here for. :)
Pictures from museum trip:


Monday, March 2, 2009
MUSEUM.
LARGER THAN LIFE.
during the big moments.
but sometimes also it's in the details. :)
Tuesday, February 24, 2009
Picture Pitch Ideas
Most of the skits were hilarious, and some were really deep. Especially the trial scene. Like the crucible. They had this freeze frame idea where they stopped the scene in order to hear separate testimonies from each person.
**USE THAT IN ANOTHER SCRIPT, HINT HINT**
But I really enjoyed it... Because it showed me the power of the SCENE and the depth that can be seen in a character just from one glance, one moment. So much can be understood from that single expression, or from the formation of a stage picture. And this exercise, whether it was intentional or not, helped me learn that.








